Terracotta Hearts & a Plastic Eden: Lahore’s First-ever Biennale

Part ‘Choose Your Own Adventure’ and part a deluge of contemporary artwork, Lahore’s first-ever Biennale was truly a one-of-a-kind experience. After reading and viewing on social media about the Karachi Biennale, I was quite curious to see what this mix of artists had to offer in Lahore and let me tell you – they did not disappoint!

 

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Library at Bagh-e-Jinnah

 

A friend and I were only able to make it on the very last day, so we covered the installations at Bagh-e-Jinnah ( also known as Lawrence Gardens) and the former Lahore Lit Fest stronghold, Al -Hamra Cultural Complex – both conveniently located on The Mall.

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Lover's Temple Ruins

 

Let it be noted, I risked my life to see Ali Kazim’s Lover’s Temple Ruins public art installation. How’s that for commitment to ‘The Arts”?!  It was upon seeing Kazim’s unusual take on ‘Lover’s Garden’ on Instagram that it was decided to make Lawrence Gardens the first stop.  The risking my life part? It’s coming. A very helpful Lahore Biennale volunteer pointed in the general direction of a tree-covered hill and said that more artwork lies up there. Padding along in my comfy slippers with a thick sole, it was a surprise to find a steep trail comprising of random slate slabs, crumbling red dirt and a few roots branching along the path. With much trepidation, but with an even stronger resolve and a patient fellow-hiker,  we made our way up the hill and eventually to Kazim’s artwork.  On a serious note, future Lahore Biennale events should be curated with accessibility in mind. It does not make sense that any patron of the arts miss out on experiencing an exhibit just because wheelchair ramps, side railings or proper steps are unavailable.  What kind of public art installation is exclusionary?

It strikes you – as if one has been suddenly transported to a remote excavation site. Signs of an older civilization all but gone for some stubborn terracotta hearts. It felt as if one is a giant peering down on a collapsing foundation- moments before all is lost to the ravages of time.

 

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Warda Shabbir’s work at the Lahore Biennale

 

 

A riot of colors enclosed in a life-size version of child’s diorama, Warda Shabbir’s installation instantly engages the viewer and transports them to her version of the Garden of Eden.  Aside from being quite ‘Instagrammable’, Shabbir’s skill at turning ordinary plastic plants and flowers into a breathtaking 3-D mural is noteworthy.

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A close-up of Warda Shabbir’s work at the Lahore Biennale

 

Noor Ali Chagani’s artwork depicts the impact of societal expectations on Pakistani men. I felt that Chagani’s ‘brick wall’ speaks of the hope that perhaps one day more men will feel comfortable sharing their softer sides.

 

I adored, ADORED, Salman Toor’s ARE YOU HERE? installation at the Al-Hamra Arts Center.

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Shezad Dawood’s Neutral Density

 

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City Blog: Joie de Vivre & Lahore Eat

It was supposed to a quick stop. In and out. A check-in. Basically a #keepingupwiththeKhans in lieu of the Joneses. Plus, we didn’t have any other plans this Saturday night.  We trooped into Lahore Eat with minimal expectations and maxing out on  comfy shoes. To our collective surprise, the open-air stadium ground was well-kept, there was a large variety of activities to take part in, from attending a concert to taking part in a renegade rickshaw ride.

W16be412f784aaf1dd9792ef8b7f8bd6d.jpgithout meaning to, our inhibitions started melting away. Something pulled us in… reeled us in. Reminded us of what can not be terrorized out of us. It was our distinctly Pakistani flair for Life –> ZEEST *.

*Zeest is a word from the Urdu language that literally means viability and life. 

We live life to the fullest – it’s a gift. We cherish it in every which way: by wearing the brightest colors, laughing a little too loud, singing off-key in public spaces and spending time with those we love the most. Those couple of hours at Lahore Eat became a testament to our collective joie de vivre.